![]() Can students effectively identify stress and meter in poetry? Close Readingįor homework, have students scan a poem using For Better For Verse. Students can submit evidence of their work by printing the page or by taking a screenshot of each completed exercise. Documentation Suggested Activities Scansion PracticeĪfter introducing the fundamentals of stress, meter, and rhythm in poetry, have students hone their skills by marking up select poems on the site. This tool helps students develop scansion skills through interactive scansion exercises online. To begin to look at graphic scansion, we first must look at a couple of symbols that are used to scan a poem.For Better For Verse Start teaching with For Better For Verseįor Better For Verse is an interactive website that teaches scansion and allows students to mark stress, feet, and meter in poetry (and validate their answers). For a discussion of the others, I refer you to Fussell, page 18. Since the most commonly and most easily used is graphic, we will use it in our discussion. There are three kinds of scansion: the graphic, the musical and the acoustic. ![]() This technique is called scansion, and it is important because it puts visual markers onto an otherwise entirely heard phenomenon. ![]() To get a bearing on what these rhythms look and sound like, let's start with a method for writing out the rhythms of a poem. The former is the more common adherence to the latter often leads an English language poet toward self-conscious verse, as their predictable rhythms are counter to natural English speech (not that it is impossible to create great verse with this technique, but there is a tendency for it to end up so). For this reason most English language poets opt to look at their own meter as accentual or accentual-syllabic. There may be one, two, or three syllables between accents (or more, but this is a matter of debate). This means that its natural rhythms are not found naturally from syllable to syllable, but rather from one accent to the next. English, being of Germanic origin, is a predominantly accentual language. Of the ways of looking at meter, the most common in English are those that are accentual.
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